Seven, The movie Essay -- Film Review Moie Essays

seven-spot, The painting Ernest Hemmingway once wrote, the world is a fine positioning and worth fighting for, I agree with the second part. The movie Seven ends with that quote stated by toss, attempting to justify the humansy moral dilemmas affected upon by the movie but mainly to bring the character of Somerset and the audience back to the beginning. The symmetry of the characters that the quote creates between the beginning of the movie and the end would hasten been lost if the director David Fincher would have gone with the pilot program storyboard ending. The beginning sequence does a great deal in show the audience the personality of the ii main characters. It fades in to Somersets apartment where we see a medium- recollective shot of Somerset over the sink. He is not so far ready for work. It cuts to a medium shot of him face in a mirror, adjusting his tie and collar truly meticulously and yet as if he has done this many a time before. The television camera shoot s the dresser top where Somersets personal items (keys, badge, pen, eyeglass case) are set, side-by-side, in order of their importance, in which he picks them up one by one. The camera cuts to the bed, neatly made, where his suit coat lies, precisely placed. He picks a piece of lint we cannot really see off of the coat before lay it on. Somerset has said nothing in this scene and yet we have already deciphered the type of person he is a very neat, well-organized, meticulous person whose life seems to evolve approximately routine. With Somerset bend off his lamp, it fades into the darkness of the next scene, focusing on the large man lying face down on the floor dead. It cuts to a long shot of Somerset slowly walking away from the light, looking around the room and stopping to notice what was on the refrigerator. When Somerset asks the other snitch if the child saw the crime, the cop rudely replies, What kind of beding call into question is that? You know, were all gonna be re al glad when we get resign of you, Somerset. You know that? Its always these questions with you. Did the kid see it? Who gives a fuck? Hes dead. His wife killed him. Anything else has nothing to do with us. This quote does two important things for the character of Somerset. First, it verifies our whimls of Somerset from the previous scene. His eye for detail entails us to conclude that he is a very skilled detective. It also shows t... ...t accede with the final ending, creating symmetry that the audience can readily grasp, unlike the storyboard ending. The idea of original sin lies within the characters themselves, forming a bond with the audience that it depicts. kit and boodle ConsultedBrown, Royal S. Seven. Cineaste. 22.3 (1996) 44-47.King, Neal. Heroes in Hard Times Cop Action Movies in the U.S. Philadelphia Temple University Press, 1999.Macek, Steve. Places of Horror Finchers Seven and Fear of the City in Recent Hollywood Film. College Literature. 26.1 (1999) 80-97.Natoli , Joseph. Speeding to the Millennium Film and Culture 1993-1995. capital of New York State University of New York Press, 1998. Rubin, Martin. Thrillers Genres in American Cinema. New York Cambridge University Press, 1999.Se7en. By Andrew Kevin Walker. Dir. David Fincher. With Morgan freewoman and Brad Pitt. New Line, 1995. Supplemental Material (Disc 2). DVD-ROM online content.Walker, Andrew Kevin. Seven Production design Screenplay. Script-O-Rama. Online. America Online. 11 Nov. 2001.