Augustan Poetic Tradition Essay -- The Outlaw Seamus Heaney Poetry Ess

Augustan Poetic Tradition I do not in fact turn back how poetry can plump as a category of human consciousness if it does not upchuck poetic considerations firstexpressive considerations, that is, based upon its own genetic laws which confine into operation at the moment of lyric conception. Seamus Heaney, The Indefatigable Hoof-taps (1988) Seamus Heaney, the 1995 Nobel laureate, is one of the roughly widely read and celebrated poets now writing in English. He is also one of the most traditional. Over a decade ago, Ronald Tamplin summed up Heaneys achievement and his relation to the literary tradition in a supposition that remains sound today In many ways he is not an innovative poet. He has not recast radically the familiar language of poetry. He has not challenged our preconceptions with a new poetic spirt nor has he led us into the recognition of new rhythms and metres. Instead he has worked with what was to hand and brought to it great powers of expression and art as w ell as a significant subject matter (Tamplin 1). At the same time, Sidney Burris was making a similar point Readers of his verse must continually inspire themselves that Heaney, perhaps more(prenominal) so than most other contemporary poets, is a deeply literary poet, one whose consolations often lie in the animate strains of the poetic tradition itself (Burris ix). For Heaney, those strains are primarily formal. I verse / To see myself, to set the darkness echoing, Heaney writes in Personal Helicon, the final poem in his first collection, Death of a Naturalist (1966). Although rhyme here signifies, more generally, writing in verse, whether rhymed or free, Heaney is certainly drawn to rhyme and closed forms. He is especially partial to rhymed tr... ... Wilson. The Poetry of Seamus Heaney. comminuted Quarterly 16 (Spring 1974) 35-48. Fussell, Paul. Samuel Johnson and the Life of Writing. wise York W. W. Norton, 1971.Girard, Rene. Violence and the Sacred. Translated by Patrick Gregory. Baltimore The Johns Hopkins University Press, 1977.Heaney, Seamus. Poems 1965 - 1975. New York Farrar, Straus and Giroux, 1980.____________. Preoccupations Selected Prose 1968 - 1978. New York Farrar, Straus and Giroux, 1980.ONeill, Charles L. Violence and the Sacred in Seamus Heaneys North. In Seamus Heaney The Shaping Spirit. emended by Catharine Malloy and Phyllis Carey. Newark University of Delaware Press, 1996 91-105.Parker, Michael. Seamus Heaney The Making of the Poet. Iowa City University of Iowa Press, 1993.Tamplin, Ronald. Seamus Heaney. Milton Keynes Open University Press, 1989.