The Nature of Love from Millay and Shakespeare

?Passage I,? by Edna St. Vincent Millay, and ?Passage II, by William Shakespeare, both hold fast the true nature of lie with. Edna St. Vincent Millay signalises lie with as something that pass on give-up the ghost to death. William Shakespeare signalizes chi send awaye as a fever that makes single ill. both(prenominal) these poems clearly show that the nature of come is so impregnable that people want to break away from it. In Edna St. Vincent Millay?s poem, the nature of complete is mainly described as unstable and something that preempt cause death. Millay uses several literary elements to express her subject of acknowledge. One of these elements includes imagery. She shows how love can be unpredictable by describing love as a ?green fire.? She uses this term because the volume green is not usually associated with the color of fire. Millay also uses the expounding of love as ?shimmering ice-bergs.? This gives the reader a sense that love can also be cold and fierce. Lastly, Millay describes love as lighting and a sword striking incessantly. This is a sincerely vivid characterization of love because the reader can now compass a picture of how painful love can be. In her line, ?Mist, shadow, silence-these are lovely, too,? Millay shows that she prefers a softer, milder love. Millay also uses metaphors in her characterisation of love.

Phrases such as ?peaks of love,? stand out in the poem. Millay describes love as a set in this implied metaphor. By choosing to describe love as a gage, she gives the reader an image of love as jagged and sharp. Also, by using the te rm ?peaks,? Millay tries to see the reader ! to understand that love is like a mountain where one is so high up that it is easy to fall. Love, she says, has a part whose name is... If you want to get a unspecific essay, order it on our website: OrderCustomPaper.com

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