Our modern understanding of tragedy and tragic acees is derived from the writings of the antediluvian Greek philosopher, Aristotle in his famous ?poetics?. Although Aristotle considered Sophocles? Oedipus to be the ideal tragic hero, Shakespeare?s crossroads, written many centuries later, has many of the same elements.
Aristotle defined the tragic hero as an honour able-bodied protagonist with a fatal flaw or ?harmartia? which eventu whollyy leads to his demise. The audience moldiness develop an emotional attachment to the hero because he has estimable qualities, the audience must fear what will happen to the hero and after the misfortune they must feel intense benevolence for him. The combination of fear and pity results in ?catharsis.?Hamlet is a complex character. He is intelligent and a deep judgement supported by the fact that he is a university student. He is brave and loyal and loving to his tiro?s memory. In addition he is a prince. These traits allow the audience to the like him. In his first soliloquy (Act, 1 Scene 2) Hamlet shares with the audience his despair and grief at his father?s death and his mother?s quick re brotherhood ?Oh most cruddy speed to post with such dexterity to incestuous sheets?. further his thinking becomes obsessive and he cannot seem to accept the situation.
He says, bitterly, to his friend Horatio, ?The funeral baked meats did coldly furnish forth the marriage tables.? At the end of his third soliloquy (Act 3, Scene 1) he realises that he has forgotten about(predicate) the deed he is meant to look at out because he has been thinking too deeply about other issues. ?Thus conscience does make cowards of us all? Hamlet is aware of his flaw and although he wants to avenge his father?s death he does not seem able to act. Fortinbras and Laertes actions are in stark...
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