When most people consider how to tell a story, they speak up in terms of plot and character. While these are oft the
most visible aspects of a story, there is an underlying foundation of principles that swan a well-told story. These principles could be compared to a house foundation. Without a self-coloured foundation, the other make of the house, its character and design, cannot be fully enjoyed. In the same fashion, the principles of storytelling are also mostly out of sight, nevertheless the effect of poorly laid story foundation has effects just as damaging as a badly constructed house foundation.
The purpose of this essay is to lay out the principles, that well-constructed publications will contain, in a manner that they can be considered individually. The principles can also be understood as a unified piece of rationalism that offers an overview of what well constructed literature consists of, and how it is written. catch these principles should be able to help a reader to unwrap between well-constructed literature and what tries to pass as literature.
Literature is a man where every character, every action, every element has meaning and purpose. This is what makes
literature essentially different from life.
Life offers facts that dont necessarily defend a put across purpose, meaning or outcome; events that generate emotional states that have no clear purpose or fulfillment; or events that captivate the senses, but not in a meaningful, dramatic, or fulfilling way. Real life, then, can be chaotic, or appear to overleap a desirable purpose and meaning. For example, we dont marry the love of our life... or we do, and then things can go terribly wrong. Or the whizz we love is taken from us by a nut case accident. Or we work hard but dont get the rewards we desire. raze worse,
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