The Roles of Women         Over many centuries, women faced a system that was, in effect if not intention, hypocritical towards them. For women were told that they were being protected by men who claimed love, duty and responsibility to only whenify their power, whereas the women were actually constrained, limited, take down owned and abused. In the book The War On Women, Marilyn cut contends that, as men begin to build what would develop into a male supremacy built by force (TWOW 9), the female category slowly marginalizes, and subjugates to the will of the male class. Furthermore, many of the worlds leaders, presidents, and CEOs are male, dominating everywhere the natural world and those associated with nature, namely women. sort of simply, many people believe that God made women helper to men by endowing the men with reason, logic, and intellect while bounteous women traits that subvert proper order and rationality: chaotic hornyity, passion, and weakness. Similarly, in Shakespeares plays, many of the roles of women are, in the eyes of the normal audience, futile and weak. tooshie we conclude then, that the roles the women played are just imaginary constructs and cipher more? Or was Shakespeare a person, who permitted women to openly express their give-and-take and spirit at a time when male historians presumed that virtue and custom successfully restricted women from such freedom? In the plays that feature the downfall of a sad hero, who possesses a tragic flaw, a contradiction unexpectedly takes place. By looking at the roles of bird Macbeth in Macbeth, Gertrude and Ophelia in Hamlet, their responsibilities become vital and worth(predicate) during the downfall of a tragic hero.
        In the play Macbeth, Lady Bacbeths role dominates throughout the many beginning scenes. Her power and skills over Macbeth comes to such an extent that she actually uses silent humiliation and emotional bribery to manipulate his own husband, and forces him to execute her will.
Even so, Macbeth addresses her as his dearest partner of greatness (Macbeth I. v. 10-11). This expirely suggests that Macbeth not plainly loves his married woman dearly, but considers her as his equal. At the scene where Macbeth and his wife discuss of the upcoming killing of the king, Lady Macbeth uses veiled talk, and overdone meanings in order to sweeten the idea. Intelligently, she never mentions the word murder, rather, she just notes that Duncan will never shall sun that morrow see (Macbeth I. vi. 59-60). It is almost a form of seduction; she hides the foul ideas behind pretty words, making it seem as if it is all right. When Macbeth tries to interject, she simply speaks over him, comfort his troubled mind with a promise that she will cargo hold everything else, as long as he [looks] up clear (Macbeth I. vi. 70).
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