The Historical Development and Use of Seals

Archaeological excavations found that no house had more than one seal of approval of approval, and that each seal had a different design. Through time, it has been found that seals used in horse opera Asia tended to record events, and this character of seal design has facilitated the efforts of archaeologists to trace the account of the region (Kramer, 1956).

The use of seals in China has been positively traced as far back as the Shang Dynasty, which makes these seals about three yard years old (Aero, 1980). Seals were written about in the pelf Dynasty (1122-256-BC), during which fourth-century-BC philosopher Chuang-tze decla vehement that men would return to simplicity and virtue if "tallies were burned-out and seals destroyed" (quoted in Sutherland, 1965, p. 62). The earliest Chinese seal support by strong historic documentation belonged to the emperor Huang Ti (259-to-210-BC). More seals have been preserved from the Han Dynasty than from any otherwise historical period (Aero, 1980).

Hard stones were being used to make seals in western Asia as early as 3000-BC (Budge, 1920). Prior to that time, steatite, ivory, and other softer materials were used (Kramer, 1963). In China, seals were made from a variety of materials wood, soapstone, valuable stones, metals, and jade. Until the mid-1800s, the word gem was applied only to etched stones, opposed its modern usage referring to "rare qualities in prec

Kramer, S. Noah. (1956). History begins at Sumer. Indian Hills, Colorado: Falcon's file urinate extension Press.

In contemporary China, seals continue to be used to evidence important transactions, records, and correspondence. As examples, the use of seals is acceptable to cash checks, validate marriage certificates, and "sign" for a registe chromatic letter.

The use of inked seals wherein the seal picture is applied to paper developed in China in the first-century-BC (Aero, 1980). Prior to this period, seals were usually applied to bamboo, wood, and clay surfaces. Red seal ink was developed in China from a comp artistic creationmentalisation of cinnabar and water, honey, oil, or was in the vith-century-AD (Aero, 1980).

From this time through the sixteenth-century-AD, red ink was used exclusively in the application of seal images.

In 1675-AD, seals in China were further split up into six classifications (Sutherland, 1965). The first seal class was the Ming yin. This seal was a name seal, the purpose of which was to establish legal identification. These seals could contain only the symbols for the lyric "seal of" or "private seal" following some(prenominal) the surname and given name of the seal owner. This seal was withal used by artists to identify a work of art as their own creation.

Chinese seals are also every yang or yin in design (Sutherland, 1965). Yang seals have the design carved in relief, which means that when the seals are applied, they will look red on a white background. Yin seals have the design engraved in intaglio form, which means that when the seals are applied, they will appear white on a red background.

In 1575-AD, seals were divided into two general classes in China (Sutherland, 1965). The first class was official use. The purpose of this class of seals was to indicate rank or office. The second class was personal use. Materials, size, and knob type were undertake for each seal type (Sutherland, 1965).

In modern China, intimately seal images are inscribed on stone. The most wid
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