The theatricality of the play is noted first as the Director of the Clinic of Charenton speaks to the audience and identifies the action while also whirl a sense of how to treat patients:
We're modern enlightened and we don't agree
with lockup up patients. We p quote therapy
through education and especially artistic creation (4).
The action of the internal play is set as Marat is in his bath awaiting the arrival of Charlotte Corday.
This is a historical incident, so no iodine is in suspense close to what happens, only about why the Marquis will say it ha
ppened. Marat is given homage by supporters so as to indicate his importance to the Revolution--Marat is keeping the spirit of the Revolution quick:
It is important that the experiences of all these people are similar in that they have been punished and even tortured in one way or another--de Sade refers to what happened to him in the asylum, the people refer to the harshness of life, and Marat sees himself as persecuted on all fronts. Duperret expresses the sort of innovation to which they all aspire:
Four years after we started fighting
A contrast is created between the support offered by Marat's followers and the constitution of life after the Revolution, as expressed by the patients:
once we thought a few hundred corpses would be enough
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