George Orwell's Novel

This concluding paragraph includes well-nigh of the negative features of imperialism which dominate the characters of the imperialistics themselves, from Orwell's point of view. The imperialist is shown to be arrogant, defile with the abuses of power, living according to a class-based hierarchy, and believes himself or herself to be granted with such superiority by birth. In short, the imperialist ism and way of life dehumanizes both the imperialist and the victims of the imperialist.

U Po Kyin is the prime example of such a victim. He is the quintessential collaborator, the representative of Burmese who think only of themselves and how they can scratch advantage of the situation at hand. U Po Kyin c ars postcode more or less his country or his countrypeople, but only about himself.

However, before we blame imperialism exclusively for U Po Kyin's corruption, it is grievous to note that he was more than willing to be crooked from the beginning of his encounter with the British:

He remembered the terror he had felt of those columns of great beef-fed men, red-faced and red-coated; and the long rifles o'er their shoulders, and the heavy, rhythmic tramp of their boots. He had taken to his heels after ceremonial occasion them for a few minutes. In his childish way he had grasped that his own people were no match for this race of giants. To urge on the side of the British, to pass away a parasite upon

them, had been his ruling ambition, even as a child (5-6).

U Po Kyin certainly fulfills this ambition. Orwell may be saying that in that respect are certain individuals in each culture who would rush to become parasites on the flesh of imperialist rulers, or he may be saying that there is something in the culture of the Third World, or of Burma, which results in the unjustified creation of such parasites. After all, Orwell was himself such a passionate foe of imperialism that his own views may have been skewered. That is, if Orwell's portrayal of U Po Kyin is meant to represent those who have the appearance _or_ semblance "born to be corrupted," so to speak, this might be evidence of a belief on the part of the British author that the victims of imperialism deserved to be victimized.

Orwell, George.

Burmese Days. San Diego: Harvest, 1962.

Po Kyin, the naked gutter-boy of Mandalay, the thieving clerk and obscure official, would compute that sacred place, call Europeans' 'old chap', drink whisky and soda and knock white balls to and from on the green table (143).

The immorality become stronger under imperialism, then, while the hot who try to expose the evil are assaulted by the system and are left weaker and disheartened. Those who are neither truly evil not exceptionally good are gradually won over to the corruption of imperialism, for its pull out is simply too strong and constant.

Veraswami is finally a posing duck in the sights of U Po Kyin. The latter baddie is successful in spreading entirely false rumors of Veraswami's disloyalty to the British. He loses his powerful position as a result of U Po Kyin's evil machinations (283-284).

Ellis is an Englishman in Burma who feels and expresses the most blatant and carnal form of racism related to the imperialist's sense of superiority over the native people. Ellis might be seen as standing as an evil brother to U Po Kyin. Both seem to have been created for their extreme positions in the realm of imperialism---U Po Kyin as a born parasite, and
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